“I Run Towards Home. My Heart Arrives Before Me.”: The Uncanny Presence of the Question of Home and Identity in Ma’asoumeh Jafari’s Why Shan’t I Worship The Darkness? (2021)
Many people around the world have formed a relationship with “Home” and “Identity” which is bizarre, unsettling, and creates moments of hesitation when facing these concepts. . In this paper, I argue that the Persian short story collection Cherā Tāriki Rā Khodāy-e Khod Nakonam?, loosely translated as Why Shan’t I Worship the Darkness? (2021), is exactly a depiction of that unsettling state of misplacement between the home and the heart. Through a close reading of two of the stories it is discussed that the writer has used Uncanny as a literary device to address “Home” and “Identity.”